It’s hard to believe that it’s been a year since the the last “No-Show Black Tie” fund raiser. The Bottomless Toy Chest delivers art projects, crafts and interactive games to hospitalized pediatric cancer patients. Toys are the subject again. It sorta fits. This is a Mr. Potato Head year. It was lots of fun playing toys and taking photos. We should all be heading over to The Bottomless Toy Chest do donate. Do it!
I love photographing shiny things. Kinda doesn’t matter what it is. Cars, jewelry, industrial parts or tools, as long as it’s Shiny. I photographed this tap on a white background and put in the blue handmade paper in post production. I’m always interested in what you think.
Who knew surgeons used torque wrenches? I don’t think about it that much, but I guess it makes sense. Surgeons are sort of body mechanics. True, the stakes may be higher than a brake job on your car, but a bad brake job could be fatal too. Anyway, we spent the day working and collaborating with an excellent art director and ended up with a bunch of nice images and had a good time as well. Let me know what you think.
They aren’t selling sandwiches, or bread, or meat. It’s just a photograph of a sandwich that has meat in it that uses their sausage casing. It’s been called a copy warmer. You can call it what you want, I call it Tasty! Let me know what you think.
In the commercial photography world, schedules and deadlines are paramount. We are usually awarded photography projects a few days or a couple of weeks in advance, but for this project for WABCO, we were requested to shoot with less than four hours advance notice! Fortunately I had no other photography bookings for the day so I was able to pack my gear and rush off to location. The directives for this shoot were to photograph a WABCO truck in an empty lot in the correct perspective to strip into this stock photo background the client had purchased the rights to that very same day. After some late night retouching, I was able to deliver the finished project the next day in order for the client to meet their deadline.
Photographing very small things can be challenging. The product in this photograph is an abrasive, but to be honest, I don’t know how it is used. I imagine that it’s similar to sand blasting. The largest of the stainless steel balls is about one millimeter in diameter. For comparison, a BB is about 4.5 millimeters in diameter. So these are pretty small. As always, I am interested in your thoughts and comments.
I was recently awarded a project to photograph professional models for a medical device maker in Michigan. Stryker is a Fortune 500 company whom I’ve worked with numerous times. This particular shoot was done in studio with an emphasis on building a library of images the client could use for future marketing needs. It was an enjoyable photography session, as our talent pool was exceptionally good. Likewise, I had great art direction and a knowledgeable staff that knew the medical nuances of surgical wear. All in all, it was a great team effort.
I photograph executive portraits frequently, in studio at Blue Sky Photography in Troy, along with shooting on location at client’s facilities. Although I enjoy both studio and location portraits, shooting against environmental backgrounds can often be a bigger challenge. There is more involved than just a simple portrait lighting set-up against a seamless backdrop.
In the photograph above, the client desired a very shallow depth of field which required shooting through nearly three stops of neutral density, even with the strobe lights set to their lowest settings. And to complicate matters even further, I had to deal with reflections from the conference room glass walls. But that’s why I like shooting environmentally; bigger challenge, bigger reward.
I really enjoy shooting in the studio. On this day, we had a great team. The client, models, stylist and I were all working well together. Fortunately the studio is large enough the there was no problem pulling in a large truck. Then it was a matter of staging the scenarios that told the client’s story. Working together we made photographs that pleased the client. As always your thoughts and comments are welcome.
I was awarded an assignment recently to photograph semi trailer trucks. Shooting big rigs isn’t that much different than photographing cars on location, except that they’re BIG! Whether its cleaning and detailing them, or scouting for a location, one has to keep in mind their enormous size. They are far less maneuverable than your typical car and require space; lots of space.
This project was for Point Dedicated, with an emphasis on their dedicated team of drivers. I did several different photos with their team members, including interior cab portraits, using a mix of ambient light and auxiliary strobe lighting.