Somebody has to make the brushes that clean your car at the carwash. We spent a day shooting a carwash door that moves up and down quickly to keep the heat in during the winter months, and some brushes. The door was beautiful, but I took a liking to the brushes. Red, graphic, and oddly organic looking, this one reminds me of a sea creature. All in all, it was a great day with a great client, excellent art direction and a stellar crew.
We recently finished a project photographing the Litter-Robot 3 Connect in grey. It's always a pleasure to work with this company. It's a great crew and a great product – such a great product I gifted a Litter-Robot to my son and daughter-in-law for Christmas last year. The robot keeps their tiny Brooklyn apartment odor free. Their cats, Andie and Dosa, love to sit and watch it rotate!
How to communicate hand-craftsmanship in a photograph? Hands! Specifically, the hands of the maker. I’ve been making photographs of Richard’s hands with his jewelry for over twenty years. I love the juxtaposition of his dirty working hands and the intricate shiny metal. The contrast between Richard’s dark hands and the bright jewelry makes the product pop. I’m always interested in your thoughts.
Here in Detroit we have Coney dogs, Coney Island hot dogs. Like our neighbor to the North's dish of poutine, there is no pretense of health. I suppose you could argue hot dogs themselves are not all that healthy. But when you smother them in chili, mustard and onions you reach a new level. And, like doughnuts, bacon, and all unhealthy foods, they are delicious. Chicago Dogs on the other hand at least have the air of being healthy, with their vegetables, pickles, and the like. Lots of fun to shoot with a super client and crew.
Without forktrucks, industry would grind to a halt. Since the early 20th century forktrucks have been the way things get moved around a warehouse, and trucks and railroad cars get loaded. Like everything else, technology has made them faster and safer. In my client’s case, industrial designers have made them easier to use and nicer to look at. My job is to find interesting angles and light that flatter the design. I am always interested in your thoughts and comments.
Go ahead, guess what this is. Stumped? It’s sausage casing! Really! I just love the things I shoot. I hope the affection comes through in the photographs. Photographers have been shooting circles for ages. Usually it’s pipe, maybe with a couple of people wearing hard hats in front. I was drawn to the the luminescence of the casing. Less and less light getting through to the lower tubes. I like finding beauty in unusual places.
Visibility is important if you’re driving a fork truck. Vision is important in many jobs. I am generally not a fan of “straight on” shots, but in this case it’s kind of dramatic. The diagonals provided by the red forks are dynamic and the strong verticals of the mast create a sense of strength. And it all frames the eyes. Please let me know what you think.
Ordinarily, my job is to grease the wheels of commerce. Not a bad thing, but not quite like Mother Teresa. My studio neighbor is The Bottomless Toy Chest. They take toys to kids with cancer in hospitals. When Micky came by and asked me if I could take a picture of trolls, I was all in. When I found out that the designer / art director was Cindy Sikorski, I was truly excited. On the shoot day Micky and Cindy did the styling, it’s tough to get those tiny clothes to look good on those inflexible little bodies. They did the hair too! It was loads of fun, and profoundly worth while.
The biggest of these little steel balls is about a millimeter in diameter, about the thickness of a dime. It’s called wire cut shot. It's used in industrial processes. I had to level the table so it wouldn’t all roll away. It’s challenging to get them into the shape you want and make it look natural and random. I love the little glimpses into otherwise invisible areas that commercial photography provides.
I was photographing jewelry for a catalog with my friend Richard when he slid some small rings onto a bit of rolled up paper. It didn’t work for the catalog we were shooting, but I thought it looked pretty cool. I enjoy spontaneous moments like that one. Because Richard created the jewelry, he has ideas about what it should look like in 2 dimensions. Collaborating on projects like this one is a highlight of my job.
Every now and then we need to photograph large products. Fork trucks are not the largest product we’ve had in the studio. We’ve had large trucks, turf maintenance vehicles, salt spreading equipment and truck bed liners in the studio too. These fork trucks are fun to photograph because of their excellent industrial design. Please, let me know what you think!
They're not jewelry, they're far more functional. The only outward similarity is that they're shiny metal. They nonetheless, feel kinda like jewelry, or at least that’s one of my goals. Despite the need for rigorous functionality they are surprisingly beautiful objects. Whatever their purpose, they're fun to shoot. As always I am interested in your thoughts and comments.
I was recently awarded a project to photograph professional models for a medical device maker in Michigan. Stryker is a Fortune 500 company whom I've worked with numerous times. This particular shoot was done in studio with an emphasis on building a library of images the client could use for future marketing needs. It was an enjoyable photography session, as our talent pool was exceptionally good. Likewise, I had great art direction and a knowledgeable staff that knew the medical nuances of surgical wear. All in all, it was a great team effort.
Circles are delightful design elements. The fact that these are functional is a bonus. The trick to images like this one is to make it feel like you just grabbed a snapshot of some parts in a barrel. The reality is quite different: cleaning tiny parts, moving them around with tweezers and carefully adjusting the lighting takes hours.
Product photography is a ceaseless joy in my life. I just really enjoy doing it. You would think that photographing wine bottles would be more fun than industrial parts… It really depends on the industrial part. Still, shooting this project was fun as well as challenging and rewarding. Finessing the lighting and bringing life to all of the disparate textures and shapes. The most challenging part of the shot was the highlights – I had to play with them a little to get the contrast I wanted, but I think it turned out well. Let me know what you think.
There are thousands of parts in every car. These photographs are of parts from a major automotive supplier. The immediate use of these of photographs is to decorate their offices, but I’m sure they’ll find other uses for them too. The parts have an intrinsic beauty that is undeniable. My goal was to keep it simple, and let the lines, shapes and textures speak for themselves.
Automotive parts are really important around Detroit. Statuesque is what I was going for. Big. Important. Grand. This part is cutaway so we can see inside. I like shooting industrial parts. You can see them for their functionality or you can see them as circles, rods or trapezoids; light and shadow giving them volume and shape. My job as a commercial photographer is to transform my client’s vision into a photograph, that is visually impressive and tells a story. As always let me know what you think.
I shot this Ford GT a couple of weeks ago using a technique called light painting. Basically, we just walk around the car shining a light at it. There is a lot of trial and error, as well as a fair bit of serendipity. Frankly, it would be difficult to get a really bad photograph of this amazing car. It has a tricked out 800 horse power engine, custom wheels, bumper kit and an awesome paint job. Leave a comment and let me know what you think.
Motown is a fantastic place to photograph the industrial truck. There are lots of names for this indispensable industrial workhorse: hi-lo, fork truck, forklift, lift truck. This is a relatively simple one. It was nonetheless a blast to shoot. Personally, I like the red and black together; it’s awesome! A great client and crew make it easier to take interesting pictures. I am interested in your thoughts and comments.
This is another in the series of photographs of the Custom Charger Hellcat. My client wanted an extremely low angle from the front. It was necessary to raise the car onto apple boxes to get the camera low enough. The low angle and the flaring headlights add intensity. Let me know what you think.