I started using Alfred about a year ago. It’s a productivity app for OS X, and it makes my time at the computer much more productive. It does way more than just launch apps; It has a clipboard manager that allows you to see and use things you’ve previously copied to the clipboard. Sadly, it’s text only, so it does not work in Photoshop. It does lots more too, but I’ll get to that in a bit. It all starts with a key combination that brings up a search box.The default combination is command-space. I use that in Photoshop, so I use Shift-Control-Option-Space. I sounds more awkward than it is. You type in a letter or two, it learns your preferences, and a list pops up. When the application you want to launch is at the top of the list, just hit return, and bingo! In the screen shot, P selects Photoshop. But if I typed a “d”, PDF Pen would be on top. Similarly, documents can be opened by first typing a space, then the letters of the file name.
The clipboard history appears with the key combination Command-Option-C. You then see a list of the things that have been in your clipboard. Very handy!Finally, there are workflows. Too complex to go into here, and frankly I don’t use them much, but they are very powerful. There is a free version, and you can get the PowerPack upgrade that adds more features. There is a Mac Power Users podcast about it with lots of info and links to more info. If you try it, let me know how it works for you.
Industrial Upgrade
I photographed these filters some time ago for Parker Hannifin. I thought they might be more interesting on a different backdrop. I chose a gritty textured background to contrast with the smooth highly finished surface of the filters. This type of photograph serves an entirely different purpose than the original on a white background. I think it has more visual impact, and might be more suited for an ad or a tab page in a catalog. As always, I’m interested in your comments.
Onions
I love shooting moody still life images. Onions provided an interesting subject. Warm tones, textured skin, circles and spheres are design elements I can work with. Afterwards, I made some delicious onion soup. I used Thomas Keller’s recipe in the Bouchon cookbook. Awesome! As always, I’m interested in your comments.
Red and Blue!
Long ago, I was inspired by Eric Meola. In the Black Book or Showcase, his pages always stood out. I can recall entire spreads of images that were just red and blue. He has continued shooting, using color in amazing ways. The red and blue together vibrate because it’s difficult for your eyes to focus on both at the same time. Hardly art, the lift truck does get a little zing from the blue background. Lighting helps too. Being from Detroit can have an effect on things besides cars. As always I am interested in your thoughts.
Industrial Tools
I’ve always loved photographing shiny things - doesn't really matter what it is. Reflective things like a car, jewelry, or in this case, an industrial tool, all fascinate me. Controlling reflections to reveal the shape as well as to make a compelling photograph, is my kind of challenge. Spiralock makes this tap for cutting threads that lock a bolt in place without a lock-washer. I just like the way it looks. As always, I’m interested in your thoughts.
Detroit Gears
They look kinda like gears, but I’m not really sure what they are. They do look like Detroit! My job is not to use them, it’s to make them look good. Loads of texture from the rust. The color of the rust also compliments the color of the gears. Ordinarily, rust is the enemy, but in this case it provides contrast in texture. As ever, I am interested in your thoughts and comments.
Safety Photography
There are plenty of dangerous places to work around Detroit. But working in a hazardous environment should not be hazardous to your health. Providing that protection is my client's job. My job is to make their product interesting to look at. I did the studio photography and Dave did the location photography for the project. We are always interested in your thoughts and comments.
Location Photography in Detroit
As I said before, I mostly shoot products and things. When I had the opportunity to shoot the Renaissance Center security officers, I jumped it. Location Photography requires thinking on your feet, and going with the flow. Working around the things that you cannot change, and working with the things that you can. I had phenomenal cooperation from everyone on the shoot day. As always, I’m interested in your thoughts.
Racing Wheels
Shooting beautiful, shiny automotive parts is a perk of working and living in metro Detroit. Sure the area has it’s problems, a cyclical economy, the city is bankrupt... Still, if you like cars it’s the place to be. This wheel is formed in three parts to create a strong, light and attractive racing wheel, and it’s made right here in metro Detroit. As always, I am interested in you comments.
Industrial Automotive Parts
Industrial Studio Photography
Self driving cars? In a few years, maybe ten. But now, there are self driving lift trucks! Bristling with redundant safeguards, these trucks will take a load of pallets and drop them in a specific spot in a warehouse, then return. In giant warehouses, it’s a pretty good trick! I got to shoot it in the studio. As ever, I am interested in your thoughts.
Industrial Product Photography
Macro Photography
I had a couple of down days so I thought I’d shoot something for me. It’s a series of close-up photos of fruit and vegetables. Can you guess what fruit or vegetable this is? If it weren't a fruit or vegetable what might it be? The rest of the series is on my personal blog. Please let me know what you think.
Fruit and Vegetable Photography
I recently was shooting artwork of Dennis Wojtkiewicz and I was inspired to try something similar. His paintings are frankly better than what I have done here (and worth a look), but it was a lot of fun and these aren’t that bad. There is an additional photo on the Studio blog. As always I am interested in your thoughts.
Industrial Parts Photography
I enjoy the opportunity to work with good designers and art directors. Their collaboration invariable produces better photographs, brochures, catalogs, ads and websites. I had the good fortune to work with Designers & Partners on this project. This photo was assembled in Photoshop from individual shots of all of the parts our client makes for a 9 speed transmission. Shooting shiny parts is almost always fun. As always, I am interested in your thoughts and comments.
Industrial Product Photography
Shooting industrial product photography is often challenging. In this case the goal was to create an exploded view of all the parts our client makes for this 8 speed transmission. Working from Jim Tocco’s layout we shot all of the parts with the proper perspective, angle and lighting, then assembled them later in Photoshop. As always I am interested in your comments.
Location Photography
Unexpected things are a constant when shooting on location. Some of those things are good, or great, but, there are also the unwelcome surprises too. The trick is to roll with the moment. Accept the positive, and roll the not so positive things over to the positive side. As it happens, this shoot went quite smoothly. I am always interested in your thoughts.
Wedding Rings
We’re coming into the wedding season. I don’t shoot weddings, but I do shoot rings. My friend Richard makes jewelry in his Birmingham, MI shop. He’s advertising engagement rings and needed some photos. The challenge with stones is multifaceted. (sorry) When you look at them in a shop, you move it around and it sparkles as the light bounces around inside the stone. Little points of light winking in and out of existence. When you shoot it however, you only get one angle! It’s possible to light it so it sparkles, but sparkle is a relative thing. Nothing is winking in and out of existence. As always I’d be interested in and comments.
People Photography in the Studio
I don’t photograph people often, but I enjoy it when I do. There are lots more balls to keep in the air. When shooting product, you can methodically move forward till you have what you want. With people, everything is always changing – especially with groups. It’s much easier with good models, so I try to have a casting session to see what they are like in front of a camera. As alway, I am interested in your thoughts.